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Associate Professor Martin Patrick PhD, MA, MFA

Associate Professor

School of Art

Professional

Qualifications

  • Doctor of Philosophy - University of Kent At Canterbury (2000)
  • Master of Arts - State University of New York (1996)
  • Master of Fine Arts - University of Texas at Austin (1993)

Research Projects

Summary of Research Projects

Position Current Completed
Project Leader 0 2

Research Outputs

Journal

Patrick, MR. (2017). Mover & Shaker. The New Zealand LIstener. Retreived from http://www.noted.co.nz/archive/listener-nz-2015/mover-shaker/
[Book Review]Authored by: Patrick, M.
Patrick, MR. (2017). "The painting that made itself". Art News New Zealand. (Autumn 2017), 64-67 Retrieved from http://www.artnews.co.nz/autumn-2017/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2016). Morphing Changeling: Cindy Sherman. Art News New Zealand. (Summer 2016)
[Journal article]Authored by: Patrick, M.
Patrick, M. (2015). "Interview with Artist Catherine Bagnall". LAR MAGAZINE. 021(Peaceful Contents/ Winter Edition), 33-41 Retrieved from http://contentviewer.adobe.com/s/LARMAGAZINE/000140fd-c80b-5aca-83d6-5ff31f152ea3/021LARMAGAZINE/Article021_MartinPatrick.html
[Journal article]Authored by: Patrick, M.Contributed to by: Bagnall, C.
Patrick, MR. (2015). Mercurial consistency: Billy Apple. Art Asia Pacific. (95), 82-91 Retrieved from http://artasiapacific.com/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2015). Simon Morris: Black Water Colour Painting 2015. Ilam Art School Gallery, University of Canterbury. , 1-14 Retrieved from http://www.arts.canterbury.ac.nz/fina/ilam_current.shtml
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2015). Wellington postcard. Art News New Zealand.
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2015). The conceptual, the pastoral, and the plainly freakish (or, some of my favourite artworks are trees). The Occasional Journal: The Dendromaniac. Retrieved from http://enjoy.org.nz/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2015). Yvonne Todd: Creamy psychology. Afterimage: The Journal of Media Arts and Cultural Criticism. 42(5) Retrieved from http://vsw.org/afterimage/issues/afterimage-vol-42-no-5/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). "Work, Rest, and Play: James R. Ford". Art Collector. (69 - July August September 2014), 142-149 Retrieved from http://www.artcollector.net.au/home
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). A Taste of Tonga: Thirteen artists are showcased in this group exhibition. The New Zealand Listener. 244(3866), 44-44 Retrieved from http://www.listener.co.nz/culture/art/a-taste-of-tonga/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). Art Review: Simon Starling: In Speculum. The New Zealand Listener. (3852) Retrieved from http://www.listener.co.nz/culture/art/art-review-simon-starling-in-speculum-city-gallery-wellington/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). Jump Cuts. The New Zealand Listener. (3856) Retrieved from http://www.listener.co.nz/culture/art/jump-cuts/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). A Procession of Chinese History. The New Zealand Listener. (3863) Retrieved from http://www.listener.co.nz/author/martin-patrick/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Moving on Asia: all the right moves. the New Zealand Listener. (3802) Retrieved from http://www.listener.co.nz/culture/art/moving-on-asia-all-the-right-moves/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Art: Transforming the everyday. The New Zealand Listener. (3805) Retrieved from http://www.listener.co.nz/culture/art-transforming-the-everyday/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Warhol: His 15 minutes and more. The New Zealand Listener. (3816) Retrieved from http://www.listener.co.nz/culture/art/small-town-nightmares/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Small-town nightmares. The New Zealand Listener. (3818) Retrieved from http://www.listener.co.nz/culture/art/small-town-nightmares/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Exhibition Review: All there is Left. The New Zealand Listener. (3824) Retrieved from http://www.listener.co.nz/culture/art/exhibition-review-all-there-is-left/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Drawing in Space. The New Zealand Listener. (3840) Retrieved from http://www.listener.co.nz/culture/art/john-panting-drawing-in-space/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Dead End. Aspect: The Chronicle of New Media Art. 21 Retrieved from http://www.aspectmag.org/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). The Relational in Retrospect. Afterimage: the journal of media arts and cultural criticism. 41(2), 37-38Retreived from http://afterimage.carpe-datum.com/afterimage/articles/detail/534169
[Book Review]Authored by: Patrick, M.
Patrick, MR. (2013). It's the political economy, stupid the global financial crisis in art and theory: Martin Patrick on Gregory Sholette and Oliver Ressler's anthology. Art Monthly. (366) Retrieved from http://www.exacteditions.com/read/art-monthly/may-2013-35420/10/2/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Performing contagious bodies: Martin Patrick on Christopher Braddock's study of ritual in art. Art Monthly. (367), 33-33 Retrieved from http://www.exacteditions.com/read/art-monthly/june-2013-35902/44
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Books: Out of Time. Art New Zealand. (146), 86-87 Retrieved from http://www.art-newzealand.com/Noarticles/issue146.html
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Chris Heaphy's kaleidoscopic eye. Art New Zealand. (144), 42-45 Retrieved from http://www.art-newzealand.com/Issue144/contents144.htm
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Robyn Kahukiwa's Maumahara: Remember. The New Zealand Listener. (3753) Retrieved from http://www.listener.co.nz/culture/art/robyn-kahukiwas-maumahara-remember/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). The Obstinate Object. The New Zealand Listener. (3760) Retrieved from http://www.listener.co.nz/culture/art/the-obstinate-object/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Imagined Landscapes and Subterranean Simulacra. Afterimage: the journal of media arts and cultural criticism. 39(6), 42-43 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/534019
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Good Intentions: 18th Biennale of Sydney (2012). Afterimage: the journal of media arts and cultural criticism. 40(2), 2-3 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/534083
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Leave no Trace: Performance Anxiety. Enjoy Gallery Online Publications. Retrieved from http://www.enjoy.org.nz/node/1156
[Journal article]Authored by: Patrick, M.
Patrick, M. (2011). Convergences and crossovers: Lawrence Alloways incorporative criticism and the end of formalism. Sixties. 4(2), 151-169
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2011). Performative tactics and the choreographic reinvention of public space. Art & the Public Sphere. 1(1), 65-84 Retrieved from http://www.intellectbooks.co.uk/journals/view-Journal,id=195/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2011). On the difficulties of "Work as Play": The video art of Robert Filliou. Afterimage: the journal of media arts and cultural criticism. 38(4), 20-23 Retrieved from http://www.vsw.org/ai/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2010). "Try and try again: Richard Maloy". Broadsheet. 39(3), 190-192 Retrieved from http://www.cacsa.org.au/Broadsheet/Broadsheet.html
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2010). Unfinished Filliou: On the Fluxus ethos and the origins of relational aesthetics. Art Journal. 69(1-2), 44-61 Retrieved from http://connection.ebscohost.com/c/essays/51972958/unfinished-filliou-fluxus-ethos-origins-relational-aesthetics
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2010). Into the mystic: Maddie Leach's (im-)material world. Reading Room: A Journal of Art and Culture. 4, 168-175 Retrieved from http://www.aucklandartgallery.com/library/reading-room-journal/issue-4-2010-liquid-state
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2009). The Wanderer. Afterimage: the journal of media arts and cultural criticism. 37(3), 37-38 Retrieved from http://www.vsw.org/ai/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2009). Milk and melancholy. Afterimage The Journal of Media Arts and Cultural Criticism. 36(5), 31-31 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/526593
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2009). American beauty. Afterimage The Journal of Media Arts and Cultural Criticism. 37(1), 45-46 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/526497
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2008). Shiny, unhappy people: The subject now. Afterimage The Journal of Media Arts and Cultural Criticism. 36(3), 23-24
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2007). La presse artistique au Royaume-Uni. Perspective: La revue de I'inha. 2, 318-321 Retrieved from http://www.inha.fr/spip.php?article1667
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2007). Snapshots from an indefinite vacation. Afterimage The Journal of Media Arts and Cultural Criticism. 34(6), 8-11 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/525992
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2006). "Exploding the Object". American Book Review. 27(5), 36-36 Retrieved from http://americanbookreview.org/issueContent.asp?id=7
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2006). Eggleston on film. Afterimage The Journal of Media Arts and Cultural Criticism. 34(3), 49-52 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/525991
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2006). Exploding the object. American Book Review. 27(5), 36-36 Retrieved from http://americanbookreview.org/issueContent.asp?id=7
[Journal article]Authored by: Patrick, M.

Book

Patrick, M., Phillips, BE., & Pope.L, W. (2018). The Long White Cloud. In William Pope.L: The Long White Cloud. (pp. 9 - 15). Auckland: Te Tuhi Gallery
[Chapter]Authored by: Patrick, M.
Patrick, MR.(2017). Across the Art/Life Divide: Performance, Subjectivity and Social Practices in Contemporary Art. Bristol, UK: Intellect Press Ltd
[Authored Book]Authored by: Patrick, M.
Patrick, MR. (2017). Exploring Manifold Strategies of Posthuman Masquerade and Becoming. In C. Braddock (Ed.) "Animism in Art and Performance". (pp. 213 - 231). United Kingdom: Palgrave Macmillan
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2016). "Is it the beginning of a new age?". : Massey University Engine Room
[Monograph]Authored by: Patrick, M.
Patrick, MR. (2016). Craig Easton: The Means of Production. Shanghai: UNI Lab
[Monograph]Authored by: Patrick, M.
Patrick, MR. (2016). "Getting Acquainted". In P. Cullen, A. Thomson, & T. Eccleston (Eds.) weakforce4. Auckland: split/fountain
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2016). "David Cross' Confounding Hybridity". In "Air Supplied: David Cross". (pp. 98 - 103). New York: Punctum Books
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2015). Shannon Te Ao: A Torch and A Light (Cover). In E. Phillips, Bruce, & . Lal, Rebecca (Eds.) Unstuck in Time. (pp. 52 - 60). Auckland: Te Tuhi Gallery
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2013). Tactual: David Cross. In . Castagnini, L, & V. McInnes (Eds.) Bureau 2. Melbourne, Australia: University of Melbourne, Margaret Lawrence Gallery, Victorian College of the Arts
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2010). Reconfigured Realities: On the recent work of John Di Stefano and Ann Shelton. Melbourne, Australia: RMIT University
[Monograph]Authored by: Patrick, M.
Patrick, MR. (2010). Encounter. In D. Cross, & C. Doherty (Eds.) One Day Sculpture. (pp. 39 - 42). Germany: Kerber Verlag
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2010). Unreliable witness. In J. Booth, & H. Edmunds (Eds.) Workshopping Performance. (pp. 6 - 13). Wellington, New Zealand: Enjoy Public Art Gallery
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2009). On false leads readymades and seascapes. In D. Cross, & C. Doherty (Eds.) One Day Sculpture. (pp. 63 - 67). Germany: Kerber Verlag
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2009). Craig Easton: collapse. Melbourne,Vic: Nelloe Castan Gallery
[Monograph]Authored by: Patrick, M.
Patrick, MR. (2008). Room Room. Wellington, NZ: City Gallery Wellington
[Monograph]Authored by: Patrick, M.
Patrick, MR. (2006). Appropriation; Sophie Calle; Paul Virilio. In L. Warren (Ed.) Encyclopedia of 20th century photography. New York, NY, USA: Routledge
[Chapter]Authored by: Patrick, M.

Creative Work

de France, E.(2016). "The Green Vessel".
[Film or Video]Contributed to by: Patrick, M.
Patrick, MR. (2016, July 19). "Is it the beginning of a new age?". The Engine Room gallery, Massey University, Wellington, NZ.
[Exhibition]Authored by: Patrick, M.
Bagnall, C. (2016) The Misty's in their Animal Suits and Fur Muffs. [Exhibition] Is it the Beginning of a New Age (group exhibition curated by Martin Patrick), Engine Room, Massey University College of Creative Arts, Wellington, New Zealand
[Artwork]Authored by: Bagnall, C., Patrick, M.
Patrick, MR. (2010). Double take/Time frame. The Engine Room, Massey University, Wellington, New Zealand (04 Mar - 20 Mar).
[Exhibition]Authored by: Patrick, M.

Conference

Patrick, MR. (2017). "Emergent Notions of Subjectivity and Authorship: How Might We Occupy the Present?". In Performing Writing: A Symposium in Four Turns(pp. 58 - 58). , Performing Writing Wellington: Massey University
[Conference Abstract]Authored by: Patrick, M.
Patrick, MR.Exploring manifold strategies of 'posthuman' masquerade and becoming in recent art practice. . AUT University, Auckland, NZ
[Conference Paper]Authored by: Patrick, M.
Patrick, MR."Wild Gift: X's Punk Poeticism". . Massey University, Wellington New Zealand
[Conference Paper]Authored by: Patrick, M.
Patrick, MR. (2012, February). Fluxus 2.0: On the Future Prospects of a now historic nonmovement. Presented at College Art Association Annual Conference 2012. Los Angeles.
[Conference Oral Presentation]Authored by: Patrick, M.
Patrick, MR. (2012). Art and how to live it: Artists performing themselves (and others). Presented at AAANZ Annual Conference. Sydney, Australia.
[Conference Oral Presentation]Authored by: Patrick, M.
Patrick, MR. (2010, June). Performative interventions and the redefinition of public space. Presented at PSi16: Performing publics. Ontario College of Art and Design, Toronto, ON, Canada.
[Conference Oral Presentation]Authored by: Patrick, M.
Patrick, MR. (2009). I'm looking through you: on Lawrence Alloway, expansionists aesthetics, and the demise of formalism. In College Art Association 97th Annual Conference 2009(pp. 80 - 80). : College Art Association
[Conference Abstract]Authored by: Patrick, M.
Patrick, MR.(2009). Unfinished filliou: on the fluxus ethos and the origins of relational aesthetics. . Zagreb, Croatia
[Conference Paper]Authored by: Patrick, M.
Patrick, MR. (2009). Unfinished filliou: on the fluxus ethos and the origins of relational aesthetics. In Performance Studies International Conference 15:(pp. 25 - 25). : Centre for Drama Arts, Zagreb
[Conference Abstract]Authored by: Patrick, M.

Other

Patrick, M., & Bagnall, C. (2016). name of work on cover. : LAR Magazine.021 Peaceful Context
[Internet publication]Authored by: Bagnall, C., Patrick, M.Contributed to by: Bagnall, C.
Patrick, MR. (2016). Summer Reading Series #3: On Mike Heynes: video art, animation, and activist critique. : Circuit: Artist Film and Video Aotearoa New Zealand
[Internet publication]Authored by: Patrick, M.
Patrick, MR., Kilford, A., & Ting, M. (2015). Echoes, Signs, Disruptions.
[Other]Authored by: Kilford, A., Patrick, M.
Patrick, MR. (2015). Watching Sean Grattan's HADHAD.
[Internet publication]Authored by: Patrick, M.
Patrick, MR. (2015, May). When the Sh*t Hits the Fans: The Uneasy Relationship Between Celebrity Culture and Contemporary Art..
[Oral Presentation]Authored by: Patrick, M.
Patrick, MR. (2014). Erica van Zon: Dogwood Days. Dunedin Public Art Gallery
[Other]Authored by: Patrick, M.
Patrick, MR. (2013). Grove Art Online: biographical entries on artists Tino Sehgal and Francis Alys. : Oxford Art Online; Grove Art Online
[Internet publication]Authored by: Patrick, M.
Patrick, MR. (2011). Contributions to eyeContact, Auckland, NZ. eyeContact
[Other]Authored by: Patrick, M.
Patrick, MR. (2011). Shona Macdonald: Around. (pp. 1 - 4). Roswell Museum and Art Center
[Other]Authored by: Patrick, M.
Patrick, MR. (2011). The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes. (pp. 34 - 34). Britannia Art Publications Ltd.
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Restlessness and reception: Transforming art criticism in the age of the blogosphere. (pp. 1 - 15).
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Haunted. Britannia Art Publications Ltd.
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Restlessness and reception: Transforming art criticism in the age of the blogosphere. (pp. 1 - 15). Drain Magazine
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Double take/Time frame. (pp. 1 - 3). School of Fine Arts, Massey University
[Other]Authored by: Patrick, M.
Patrick, MR. (2009). Billy Apple.
[Other]Authored by: Patrick, M.
Patrick, MR. (2009). Simon Morris: Folding water. (pp. 1 - 2). Two Rooms, Auckland, NZ
[Other]Authored by: Patrick, M.
Cross, DA., Noble, AL., Shelton, AM., Morris, SM., Leach, ML., & Patrick, MR. (2009). Research presentation. Presented at Wellington, NZ.
[Oral Presentation]Authored by: Morris, S., Noble, A., Patrick, M.
Patrick, MR. (2009). One day/night stand. (pp. 136 - 136). AGM Publishing Ltd, Auckland, NZ
[Other]Authored by: Patrick, M.
Patrick, MR. (2008). Maddie Leach #11: A critical response. (pp. 1 - 5). Massey University
[Other]Authored by: Patrick, M.
Patrick, MR. (2008). Sydney biennale: revolutions - forms that turn. (pp. 20 - 22). Britannia Art Publications Ltd
[Other]Authored by: Patrick, M.
Patrick, MR. (2008, November). (Re-)defining criticism today. In General Public. Presented at Wellington, NZ.
[Oral Presentation]Authored by: Patrick, M.
Patrick, MR., & Badani, P. (2008). Pat Badani [in time time]. (pp. 1 - 5). Illinois , USA
[Other]Authored by: Patrick, M.
Patrick, MR., Cross, DA., Leach, ML., Diggle, JH., & Agnihotri Clark, DJ. (2008, November). (Re-) defining criticism today. In BLOW Creative Arts Festival, College of Creative Arts Massey University. Presented at Massey University, New Zealand.
[Oral Presentation]Authored by: Patrick, M.
Patrick, MR., & Foster, J. (2007). Johnston Foster. (pp. 1 - 4). Illinois, USA
[Other]Authored by: Patrick, M.
Patrick, MR. (2006). Apparitions:Art/Life Games and the Politics of Play in the Work of Matthieu Laurette. Drain
[Other]Authored by: Patrick, M.
Patrick, MR. (2006). Paul Virilio. (pp. 1618 - 1619). Routledge Taylor Francis Group
[Other]Authored by: Patrick, M.
Patrick, MR. (2006). Appropriation. (pp. 46 - 49). Routledge/Taylor and Francis Group
[Other]Authored by: Patrick, M.
Patrick, MR. (2006). Sophie Calle. (pp. 207 - 210). Routledge/Taylor and Francis Group
[Other]Authored by: Patrick, M.

Teaching and Supervision

Courses Coordinated

  • 213.357 Introduction to Fine Arts Research Methods and Practices

Summary of Doctoral Supervision

Position Current Completed
Supervisor 3 0
Co-supervisor 3 2

Current Doctoral Supervision

Supervisor of:

  • Johanna Mechen - Doctor of Philosophy
    The Video Essay in Performative Photographic Practice in Aotearoa, New Zealand
  • Chang Xu - Doctor of Philosophy
    Teaching without Teaching: Critically Exploring the Involvement of Visual Artists in Children's Art Classes in Art Museums and Public Art Galleries of New Zealand
  • Jill Sorensen - Doctor of Philosophy
    Engaging the languages of visual representation, written narrative and participatory practice to facilitate a fundamental reimagining of human/ nonhuman interrelationship that eschews Cartesian and Humanist models of co-existence with ‘nature’

Co-supervisor of:

  • Madaleine Trigg - Doctor of Philosophy
    Worn: Wearing through fabric and flesh
  • Michael Heynes - Doctor of Philosophy
    Approaching a digital sublime
  • Bepen Bhana - Doctor of Philosophy
    Cultural appropriation and cultural hybridity in the age of globalisation

Completed Doctoral Supervision

Co-supervisor of:

  • 2019 - Bronwyn Holloway-Smith - Doctor of Philosophy
    The Southern Cross Cable: A Tour: Art, the internet and national identify in Aotearoa New Zealand
  • 2017 - Tim Barlow - Doctor of Philosophy
    Caring Deception: Community art in the suburbs of Aotearoa (New Zealand)

Media and Links

Media

  • 13 Nov 2013 - Newspaper
    Relish the diversity of taste around fine things
    My comments cited by art critic Mark Amery in the Dominion Post newspaper

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